Monday, 27 September 2010

Always On

(originally posted on myspace here)


Ah, Summer... And then August and September happened and now we're here. And Money's still running which is good because, as I said, not enough people have seen it. But I should be writing. Hey, I nearly wrote a blog at the beginning of this month but that definitely didn't count as writing. And hey, it went thus:


"Well yes, quite.
Apologies for my absence. I haven't been in Edinburgh or anything like that - although there has been a Fringe in Camden, so a bit like that... And now I think of it I have been quite consciously favouring Irn Bru when popping into newsagents for a change of scene, thereby the August rituals are kept alive. But what might I have posted about? Well, following the here-hinted-at cancellation of Money a month ago I had about a week on Murun Buchstansagerish, squalid auto-pilot, cooped up in my stuffy, smelly crack -

- when suddenly the money from Garnier arrived (so that IS my voice) and the Camden Fringe fortuitously coincided with my freed-up evenings, finally letting me see what everyone else had been making. And that was joyous. Partly it was joyous just to catch up with friends from the London Dungeon (where I'm back, obviously) but the chief joy came from simply being able to sit in an audience again, and from being impressed and addressed and surprised by these friends. And being proud, and to be feeling part of something other than Shunt. 'That Mitchell and Webb Look' was happening as well, I know, but - maybe because I haven't written a single minute of comedy this year - I didn't really feel a part of that any more (God knows I tried, watching and re-watching every 'Prayer and a Pint' posted on youtube and relishing David's phrasing and Stuart Scudamore as the Iranian extra proving there are no small roles, only small actors - He is for me this season's giant robot scorpion -

all this while still having no real idea what I thought I was doing... HamerD's comment probably sums it up best: 'It's not supposed to be a classy sketch.')

"What else do I feel a part of? Well, the recession obviously. I have three jobs now, and there are four people living here in Morgan's now, not two. (Yesterday's Evening Standard proudly proclaimed George Osborne 'leads the way and sacks 350' so it's good to know we're all doing our bit.) Job one's the Dungeons. Job two's the Ghost Bus Tours, started up by an old Dungeon friend Ben Whitehead and doing very nicely it seems. I jump on and off in the evenings. I sweat and get possessed. The city is our stage I suppose, and that's a bit like Edinburgh.

"And job Three's 'Money' by Shunt. Which is running again. Four shows a week now. This must be good news because it's an outstanding show, and it shows just how huge an amount of work is going into its survival. But on our first night back I did realise that I hadn't missed it at all. I suppose there's a lot of anger tied up in that place (and anger's a hard barb to shift, as obviously poisonous as it is, because it's righteous). But let's turn up and do the show, let's see if we can get the bar going. But also let's find another focus. It's September. I need to write. Actually that's not the problem, I need to write loads: half-hours, hours, three-dimensional people who interact with each other over a period of time and make sense and don't make sense, that's the block. Apologies. Here meanwhile, as promised, and as no kind of spur, is the state of Douglas Adams' grave."


And that was the end of what I nearly posted. And still I haven't been writing.
The only thing to add is that ever since we've thrown open the fire doors and chalked up "Bar Open", Shunt's been feeling a good deal more Shunty. And it's nice to sit on the door at a free entrance. On Thursday night I chalked up "Bag Search in Operation" and sat on a deckchair rifling through my satchel, loving my joke. "Always on", exactly.


Money here
Ghost Bus Tours here
And what is now excellently going on across the landing from our bathroom here